From June 2001 to April 2006, I was a reference librarian in the Literature and Fiction Department of the Central Library, Downtown Los Angeles. I rode a bicycle each morning from my apartment to Sunset Boulevard, and then took the subway, reading a book, pretending not to see the insanity around me. Instead of becoming habitual, this routine became more difficult day by day.
There are more excerpts below the book covers!
Chapbook edition:
4.5x7.25"
84 pages
Letterpressed cover, xeroxed interior
Numbered edition of 600 copies (We are now on our second edition!)
Silkscreened edition:
9.75x7.75"
94 pages
Two-color silkscreen, circulation card, library stickers, stamps, cataloging numbers, and thumb divots
Numbered edition of 50 copies signed by author and illustrators
Designed by Amy Mees and Mark Wagner
Silkscreen printing by Kayrock, Brooklyn, New York
Letterpress printing and binding by Sara Parkel
Production assistance by Eliana Perez, Cat Glennon, Candice Sering, and Jamie Munkatchy
New York Shitty in Greenpoint gives my publisher a thumbs-up!
Designer Julia Rothman of Brooklyn, New York, is digging this book on her blog:
http://www.book-by-its-cover.com/other/scream-at-the-librarian
Bookmaker Rachel J.K. Grace of Tallinn, Estonia, agrees:
http://fadetheory.com/?p=2111
As does a rampaging librarian:
http://talesofarampaginglibrarian.blogspot.com/2007/07/scream-at-librarian.html
And the librarian, code name Woeful, who comiserates:
http://librarianwoes.wordpress.com/2007/07/15/librarian-pop/ and
http://librarianwoes.wordpress.com/2008/08/22/good-reads/
I'm delighted to get props from Guillaume Chérel, an author in Toulouse, France, who lumped me in with Ross MacDonald and Nathanael West TWICE:
http://buzz.litteraire.free.fr/dotclear/index.php?2007/10/12/1035-l-amitite-au-temps-de-myspace-facebook-etc
http://www.ohmydahlia.com/blog/?p=662
I've also been happy devoured along with the Devil's Lunchmeat:
http://devilslunchmeat.blogspot.com/2008/07/random-musings.html
Yet another librarian, code name Shermaniac of New York City, also was kind enough to plug my labor of love:
http://shermaniablog.blogspot.com/2007/09/scream-at-librarian.html
And an anonymous graphic artist in Downtown LA picked up on the fact that living through the experience was no fun:
http://viewfromaloft.typepad.com/viewfromaloft/2007/09/library-referen.html
Finally, if your library subscribes to AccessMyLibrary, you can read the review of Scream at the Librarian from the Library Journal!
Thank you all!
A pack of homeless teenagers, so pathetic they should have been on a primetime television cop show, threatened to kill me outside the library once. "Gonna pop a cap in your ass," they said. "This is Harlem." I laughed at them too. Fucking arrogant LA teenagers, I've SCORED in Harlem. Another time, another library, miles away, at the beginning of my career, I seized a live nude man in a wrestling hold, bending his wrist into the small of his back. He'd been taking an air bath in the women's restroom of the Children's Department--the Little Girls' Room. The other librarians, all female, called me away from fixing the microfiche machine to do battle while the cops came. A piece of cake. So I warned David, don't fuck with me.
Mr. Edgeman was a ringleader. He worked the department like a Vegas blackjack dealer skimming the house, his boots clipping the floor hard, moving quickly from floor to floor, always the escalators, never the elevators where he couldn't stomp his jackboots at the end of purposeful strides. What was the rush, Edgeman? Isn't Hell an eternity, or don't you recognize the world yet?
Her name was Donna. Because she helped people find their way around the library, I broke my no-panhandling rule and gave her money, five and ten dollars at a time. The apologia she gave in return was bullshit, creative exercises about her wealthy relatives in Arizona, surprise money she had waiting, the hotel room she was twenty bucks short for, her intention to wake up and begin a new life off the streets. It never happened. A guy claiming to be Donna's boyfriend sat by the Fifth Street entrance one evening, closing time, asking the librarians for money to have her body cremated. Tuberculosis or pneumonia or something like that, who really cared?
Poor, poor Screenwriter. My heart bled for him the first year I worked Downtown. By the fifth year I was ready to have him knocked off with something worse than an axe. You see, several times a week, even several times a day, he called the Literature and Fiction Department, his questions tumbling in a strong Brooklyn accent as we picked up the phone. The Hollywood Library couldn't help him actually write the screenplay--that task fell to us. Could a man conceal an axe in his pants, and how would you describe that? Should a window be "open a crack" or "cracked open"? It went on for years; by the time I arrived, over a decade.
One day as he walked by me screaming, he made the mistake of looking me in the eye. I had been screamed at for years, begged, threatened, insulted, demeaned. I glared back and screamed myself. "FUCK YOU!" He paused his cart in astonishment. No doubt other people cowered from him, tried reason, control, taking him into custody, kicking him out into the mean streets again. But I was a man after his own heart. He lunged at me, spitting invective, and I countered again to his face, as the lawyers and their secretaries gaped. "No, FUCK YOU!" I screamed at him, at them, at the desolate street, at my library, at my evil city, at the polluted sky. "FUCK YOU! FUCK YOU!" And he skulked on his way, overwhelmed by a middle-class white male librarian who'd temporarily shattered his world.